In an earlier post some time ago I asked the question; is there any point in continuing? Is writing (in my case literary historical erotica) worth the effort?
I have decided it is not. I have quit. Called it a day. Called it a night. Whatever phrase you prefer.
And it has proved to be a weight off my mind. The clamor (clamour in English English) of the marketeers, the people telling me how brilliant their next must-read novel is, the people telling me how easily they can splurge my name/my books across Twitter and the internet, is all gone. It has suddenly gone quiet.
I am not going to spend another six months, year, two years, three, investing effort into a manuscript, creating, writing, editing, re-editing a work which, on publication, will be worth less to the average reader than the price of a Starbucks or a piece of cheap, made-in-China tourist tat.
Nor will I ever wait anxiously in case the next review is written -as was one of my very first – by a loser who thought she had a score to settle, or by someone who struggles if there is more than one comma in a sentence.
Nor will I worry that any success I might achieve will be undermined by plagiarism or naked piracy.
To rest, now. Very soon I will change my tags on here, and considerably more, and all you are likely to find here will be photographs, predominantly of birds and squirrels, the odd observation on life, and small scale representations of the art work I plan to focus myself upon. I can draw, I can paint – kind of, and other things, and none of them require the effort or the time that is required by writing.
Yet how many folks, I wonder, will offer me – for a watercolour, an oil or a drawing – less than the price of a commercial coffee?
Take care now.
Brilliant. Is anyone listening?
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Ultra-rich man warns his fellow American millionaires and billionaires: “The Pitchforks Are Coming”
You probably don’t know me, but like you I am one of those .01%ers, a proud and unapologetic capitalist. I have founded, co-founded and funded more than 30 companies across a range of industries—from itsy-bitsy ones like the night club I started in my 20s to giant ones like Amazon.com, for which I was the first nonfamily investor. Then I founded aQuantive, an Internet advertising company that was sold to Microsoft in 2007 for $6.4 billion. In cash. My friends and I own a bank. I tell you all this to demonstrate that in many ways I’m no different from you. Like you, I have a broad perspective on business and capitalism. And also like you, I have been rewarded obscenely for my success, with a life that the other 99.99 percent of Americans…
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On the 28th of May 2016 it was my privilege to attend “Smut by the Sea” at Scarborough, Yorkshire, England, meeting face to face with other authors and readers I have previously known only through social media.
As part of the event, I read an extract from my novel “Aphrodite Overboard” which seems to have given its audience some pleasure. Here I have replicated the extract in a voice file, and I hope others may obtain some pleasure from it too. I apologize if the audio is not the highest quality, but I’m told it’s acceptable.
Managing to keep my extract within the five specified minutes, I was able to escape – rather, I think, to my own and Victoria Blisse’s disappointment – the butt paddling by which readers are reminded that they are straying over time. Here again, including the necessary introduction, the audio is a little short of five minutes long, but if it inspires any lady to wish to paddle my butt… well, be in touch.
Watching you grow
From little pink frog
To upright consciousness.
Watching you glow,
Your first smiles
Your first steps
Your first words
First sneezes, first hiccups,
Your first recognition of ‘daddy’.
Changing your diapers
That the odorous is not odious,
Your little parts sweet
In their diminutiveness.
Giving you lifts, here and there,
Buying school clothes,
Lighting birthday candles
And blowing them out.
You all about me,
I all about you.
Your toys on the floor,
Your books on the shelves,
Your questions relentless.
Your voice a girl’s
Your choices a girl’s
Ballerina or tomboy.
Your vests and knickers small in the laundry,
Your panties, your bra,
Hanging with stockings over the bath.
Your looking in the mirror,
The coming of consciousness
That I am not the only one
Who thinks you beautiful.
And boys, then, and mistrust,
That any boy could be good enough,
That scares me no little.
No little worrying,
And then the big day,
If boys are your choice,
You at my side,
Your farewell to arms
That have held you since childhood,
Your welcome to arms
That may bring you to motherhood
Photographs and memories,
Framed in glass or framed in brain,
Now almost nowhere,
For daughter, alas
You died ere they could come to pass.
Rationally, now; not very emotionally, not in the depths of depression, I am asking myself if I should quit writing. It wouldn’t be easy, I know, but I do have the capacity to ‘walk away’ from things if they become too great a threat to my peace of mind. It’s a habit I learned, apparently, from the father who walked away from me more than half a century ago.
The odds of winning the UK national lottery are, I’m informed, about 1 in 14 million. Not good odds. But then, it seems that Amazon hosts some four million e-books and, to me, 1 in 4 million doesn’t actually sound all that good either.
I’ve had two books published, of course. “Aphrodite Overboard” and “Islands”. Both have had some excellent reviews, in fairness, but it’s a long time since I heard anything about “Aphrodite” from her publishers, so it’s pretty clear she’s not selling, and the publishers of “Islands” have just offered to return the rights of the book to me. Seems it sold a whole two copies in 2015.
Writing in support of a particular Weltanschauung, or world view, my books have not stuck to one theme and nor, indeed, do my works-in-putative-progress. To the heterosexual castaway Aphrodite, the Lady Susanna, elevated to the status of goddess, comes routine cunnilingus from male and female worshippers, and endless intimacy with her lovely female acolytes and the man she ultimately marries. To the hetero Tom Carton, of “Islands” comes the affection of a co-castaway, a young, gay sailor, in a gentle touch of m/m, and an equally deep and profound affection for a liberated, black, female slave. MF/FF in the first, MMLite and MF in the second.
If my WIPP “Sword” novel comes to fruition it will be a historical action adventure, set in the early 1700s, with intimate MF and FF interaction, whilst that which I shall for now call merely “Angel” is a mid-19th century Victorian story with a fundamentally FF base.
So they don’t really hang together. Even if one of the few who had read “Aphrodite Overboard” were motivated by it to look for something else of mine, they would not necessarily look in the direction of “Islands”.
Where, then, from here? I could take the highly recommended Indie road, of course, but it’s a fact that I haven’t a snowball-in-Hell’s chance of being able to pay an editor or anyone else to write with me. And if I go it alone the fundamental facts remain the same. I have two novels which, given my own impostor syndrome, may not actually be that much good and which may, anyway, if various kind folks who have referred to them as ‘literary’ are correct may be too literary for the bulk of an audience which – according to one of my publishers – is quite content to settle routinely for work she describes as ‘sub literate’.
It doesn’t matter that my Weltanschauung is Feminist, pro-LGBT, pro sex, pro intimacy, pro kindness and all the rest.
So, is there really any point?
Chained to his balls
In a prison called ‘Man’,
What do they see
Who call him ‘free’?
Wage slave, unmanned,
To a glossy treadmill tied,
Or mortgaged to a private cross
With the strange pink tail,
Imprisoned in a maze called ‘Man’
Who ought to wonder who are these
Who envy him the scraps of cheese
That are the mouldy recompense
For life that does violence
by Richard V Raiment.
Exposure used to be the treatment/cure, but the world has evolved to be exposure-resistent. Exposure is like tossing regular penicillin at flesh-eating MRSA and expecting it to work.